My career into photography began as an extension of internalized concepts through painting. Such as the imprint , composition, or the inherent plasticity.

I conceive and materialize the photography in two principles:

Based on the concept of multiplicity, which does not required a specific theoretical principle, but rather a direct action on portrayed. The scene becomes a dimension of immediate nature whose development is seen through changes in the action itself. The end result are images that never appear subordinate to each other but influence reciprocally, and permanently flowing branch.

The reflection
Developing a practice of representation based on guides to express the visible reality. Through the analysis of the shapes that make up the scene the end is to convey the personal imagery and creativity towards the viewer in an objective form.

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